Saeed Akhtar: As Stylized Pakistani Painter
DOI:
https://doi.org/10.47067/jlcc.v3i3.66Keywords:
Design elements, distortion, realism, stylizationAbstract
Pakistani artists have persuaded themselves in the field of art in all over the world and Saeed Akhtar is one of them who is known for his expertise as a stylized figurative and portrait painter. Akhtar is a renowned artist, who is considered as a pioneer Painter whose contribution is valuable in Pakistan art scene. Many authors have written about his art, but his move from realism to stylization is not highlighted by anyone. In the present research, the stylization in the recent style of the artist along with analysis of his different artworks is the main objective of the research. The purpose of the present research is to trace out his outstanding skill and creativity through the journey of his art work from realism to distorted stylized figures. The focus of the research is to present the unusual style of Akhtar, which has developed through continuous effort and art practice during decades. His initial paintings are based on realism such as portraits and drawings in different mediums. His portrait and figure paintings of Quaid-e-Azam Muhammad Ali Jinnah (founder of Pakistan) are considered as the best tribute given to the beloved leader. His art work is critically analyzed with the reference to the selected paintings showing direct reference to his gradually transformed style towards stylization. The aim of the paper is to mention the presence of stylization as dominant component in the art of Pakistani painter. His stylization, design quality, rhythmic lines and strong composition all are a part of the research.
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